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Edition details

ISBN
9781910709399

eBook ISBN
9781910709405

Publication date
4th October 2018

RRP
£14.99

Imprint
Aardvark Bureau

Binding
HB Demy

Extent (number of pages)
464

Translator
N/A

Territory

UK, Europe & BC ex Can

BIC category
F, FA, FV

Category

Little

Author Edward Carey

£14.99

From little beginnings: the extraordinary story of a bloodstained, diminutive crumb of a servant girl who went on to shape the world.
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Description

“There is a space between life and death: it’s called waxworks”
The wry, macabre, unforgettable tale of an ambitious orphan in Revolutionary Paris, befriended by royalty and radicals alike, who transforms herself into the legendary Madame Tussaud.
In 1761, a tiny, odd-looking girl named Marie is born in a village in Alsace. After the death of her parents, she is apprenticed to an eccentric wax sculptor and whisked off to the seamy streets of Paris, where they meet a domineering widow and her quiet, pale son. Together, they convert an abandoned monkey house into an exhibition hall for wax heads, and the spectacle becomes a sensation. As word of her artistic talent spreads, Marie is called to Versailles, where she tutors a princess and saves Marie Antoinette in childbirth. But outside the palace walls, Paris is roiling: The revolutionary mob is demanding heads, and . . . at the wax museum, heads are what they do.
Edward Carey’s Little is a wonder – the incredible story of a ‘blood-stained crumb of a girl’ who went on to shape the world.
Also available in trade paperback – here!
Reviews
‘Don’t miss this eccentric charmer.’ — @MargaretAtwood
Little is an amazing achievement. Devote yourself to its first few pages and you will be sentenced to finishing it. I was thrilled not just by the story and the human grotesquerie of it, but by the narrative gallop and the prose, so often quietly startling in the application of a solitary mot juste. A compulsively readable novel, so canny and weird and surfeited with the reality of human capacity and ingenuity that I am stymied for comparison. Dickens and David Lynch? Defoe meets Margaret Atwood? Judge for yourself.’ —Gregory Maguire, author of Wicked
‘In an age in which historical female figures have gained more posthumous recognition, Little is a perfectly weaved story of a woman who has captured the imagination of many, but has been written about by few. From Marie’s perspective, the difficulties 18th-century women faced in order to achieve recognition or success are illuminated for the modern reader.’ Culture Trip
A wonderfully weird exploration of spectacles, from wax heads to revolutions, that will delight lovers of the macabre.’ —BookPage
‘Lavishly illustrated with Marie’s strange and compelling drawings, Edward Carey’s Little is a boldly original reimagining of the life of the woman who would become the legendary Madame Tussaud.’ —Library Journal, Fall Editors’ Pick
‘Carey channels the ghosts of Charles Dickens, Henry Fielding, and the Brothers Grimm to tell Marie’s tale, populating it with grotesques and horrors worthy of Madame Tussaud’s celebrated wax museum… A quirky, compelling story that deepens into a meditation on mortality and art.’ —Kirkus Reviews (starred)
‘There is nothing ordinary about this book, in which everything animate and inanimate lives, breathes, and remembers. Carey, with sumptuous turns of phrase, fashions a fantastical world that churns with vitality, especially his “Little,” a female Candide at once surreal and full of heart.’  —Publisher’s Weekly(starred)
‘An immensely creative epic…Mingling a sense of playfulness with macabre history, Carey depicts the excesses of wealth and violence during the French Revolution through the eyes of a talented woman who lived through it and survived…The unique perspective, witty narrative voice, and clever illustrations make for an irresistible read.’ —Booklist (starred)
‘The kind of book you want to shove into the hands of all your friends, just so you have someone to gush about it with.’ – Buzzfeed ‘Best Books of Fall’, Arianna Rebolini
‘This historical novel about the wax-sculptor who would become the world-renowned Madame Tussaud looks uncannily like a real-life classic.’ – Washington Post ‘Books to read this Fall’, Ron Charles
Little‘ is that rare thing – a unique novel with a unique and fully-realised voice, rich in deadpan wit and surgically precise observation. By turns tragic, bizarre and deeply moving Little introduces readers to a heroine like no other and a book that will truly last. It is an absolute delight.’ — A.L Kennedy
‘Wonderful’ Max Porter, author of Grief is the Thing with Feathers
‘What a bizarrely brilliant book. An absorbing, moving and darkly humorous reimagining of the life of Marie Groscholtz, the little servant girl who would become Madame Tussaud.’ — Anna Mazzola, author of The Unseeing
‘Exquisitely sensitive to all the warmth, vigour, humour, woe, and peculiarities of human nature, as if Carey had a dowsing rod capable of divining what hides within the human heart’ Kelly Link, author of Get in Trouble
‘An extravagant tall tale about someone very small in a history that still looks so very large, Little is bawdy, tragic, mesmerizing, hilarious. If you’ve forgotten why you’d even read a novel, Edward Carey is here to set you straight, with this rare novel bursting with the pleasures of a yarn or five, and the telling of them.’ —Alexander Chee, author of The Queen of the Night
‘An exquisitely disturbing treasure of a novel. Sensual, unassumingly poignant, hilarious, heartbreaking, cruel, joyous: Edward Carey’s Little is a triumph and one of the most intoxicating novels I’ve read. I never wanted to leave Marie’s side.’ —Sarah Schmidt, author of See What I Have Done
‘It’s hard to imagine a better subject for Edward Carey’s particular genius than the life of Madame Tussaud’ Charles Lambert, author of The Children’s Home
Praise for Edward Carey
‘Delightful, eccentric, heartfelt, surprising, philosophical’ Eleanor Catton, author of The Luminaries
‘Iremonger torques and tempers our memories of Dickensian London into a singularly jaunty and creepy tale of agreeable misfits. Read it by gas lamp, with a glass of absinthe at your wrist and a fireplace poker by your knee.’ — Gregory Maguire, author of WICKED
‘Conveyed with so much sympathy and acute observation that it is hard not to be beguiled’ The Times
‘Carey writes with such persuasive authority, and we are inclined to believe him’ New York Times Review of Books
‘Edward Carey is one of the strangest writers we are privileged to have in this country’ Observer
‘A story wondrous fine, full of terrors and marvels.’ Kirkus, Starred Review
‘Edward Carey is an enormously talented writer’ Publishers Weekly
‘If this were music, Carey would be Eric Satie. If it were film, he would be Tim Burton’ Newsday
Bonus Material
13 Things You Did Not Know About ‘Little’
Listen to Edward talking about characters and illustrations

 

View ‘Little’ on Book2Look

Edward Carey

Meet the author

Novelist, visual artist and playwright. He has written and produced several plays. His debut novel ‘Obersvatory Mansions’ (with author’s illustrations) is sold in 14 countries and was described by John Fowles as ‘proving the potential brilliance of the novel form’. Born in England, he teaches at the…

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