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Edition details

ISBN
9781910477779

Publication date
26th March 2020

RRP
£8.99

Imprint
Gallic Books

Binding
PB B

Extent (number of pages)
128pp

Translator
Gallic Books

Territory

WEL

BIC category
FF, FYT, FA

US RRP
$15.95

Category

A Long Way Off

(Le Grand Loin)

£8.99

At once devastatingly cruel and disarmingly honest, this pair of novellas form an irreverent union of darkly comic humorous French noir.

This title is not yet published, but can be pre-ordered

Description

Marc dreams of going somewhere far, far away – but he’ll start by taking his cat and his grown-up daughter, Anne, to an out-of-season resort on the Channel.

Reluctant to go home, the curious threesome head south for Agen, whose main claim to fame is its prunes. As their impromptu roadtrip takes ever stranger turns, the trail of destruction – and mysterious disappearances – mounts up in their wake.

Shocking, hilarious and poignant, this final book from Pascal Garnier, published shortly before his death, is the author on top form.

Praise for Pascal Garnier
‘Masterly’ John Banville
‘Horribly funny … appalling and bracing in equal measure’ John Banville
‘Garnier plunges you into a bizarre, overheated world, seething death, writing, fictions and philosophy. He’s a trippy, sleazy, sly and classy read.’ A. L. Kennedy
‘The final descent into violence is worthy of J G Ballard. 4 stars’ The Independent
‘Combines a sense of the surreal with a ruthless wit.’ The Observer
‘Reminiscent of Joe Orton and the more impish films of Alfred Hitchcock and Claude Chabrol’ Sunday Times
‘Tense, strange, disconcerting and slyly funny’ Sunday Times
‘A brilliant exercise in grim and gripping irony, it makes you grin as well as wince.’ Sunday Telegraph
‘The combination of sudden violence, surreal touches and bone-dry humour have led to Garnier’s work being compared with the films of Tarantino and the Coen brothers.’ Sunday Times
‘A mixture of Albert Camus and JG Ballard’ FT
‘Bleak, often funny and never predictable’ The Observer
‘Combines a sense of the surreal with a ruthless wit.’ The Observer
Featured in the Independent‘s ‘Crème de la Crime’
‘A master of the surreal noir thriller – Luis Buñuel meets Georges Simenon.’ TLS
‘A perfectly balanced cross between a thriller and a social document.’ L’Express
‘Deliciously dark … painfully funny’ New York Times
‘A guaranteed grisly thriller’ ShortList
‘Arch and lyrical … a funny and outlandish story’ Crime Thriller Fella
‘Garnier’s main theme – the banality of a bourgeois existence – is a common one, although never, in my experience, has it been dealt with so succinctly … a clever piece of literary noir’ Killing Time Crime
‘Garnier’s books are marked by their integration of strange characters into their French provincial settings as evinced by The Panda Theory and How’s The Pain? and always retain at their heart a sense of human frailty, despite the blackness of the humour and at times horrific events. Combining the style of Simenon with the visual imagination and humour of the Coen Brothers, there is much to recommend these novellas. They are small works of literary genius, and I would urge you to discover them for yourselves.’ Ravencrime
‘If you appreciate Georges Simenon’s romans durs, i.e. his harder, edgier novels, Garnier is your boy … He routinely tosses off penetrating philosophical truths like they’re afterthoughts, as the French do so well. There’s dark humor in these short novels, lots of apparently arbitrary brutality that’s all the more chilling due to its seeming randomness, colorful characters, and some lines and passages that hit such a deep place, you just have to put the book down and reflect for a while after reading them.’ Criminal Element blog
‘Brief, brisk, ruthlessly entertaining … Garnier makes bleakness pleasurable’ John Powers, National Public Radio
Pascal Garnier

Meet the author

Pascal Garnier, who died in March 2010, was a talented novelist, short story writer, children’s author and painter. From his home in the mountains of the Ardèche, he wrote fiction in a noir palette with a cast of characters drawn from ordinary provincial life. Though his writing is often very dark i…

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